Not an AI ad generator
Test
every
hook you wrote.
Not the two you had time for.
Your footage, your voice, your words. Say what to vary and what to hold, and every combination comes back cut to its own language. You see the count before you press anything.
Per beat, vary or pin
Languages
Formats
8 paths × 2 languages × 2 formats = 32 files
Every file is cut to its own language's read. A longer language is a longer edit, not a squeezed one.
What comes back
32
finished files, one press
Nothing renders on this page.
The panel above is live. Poke at it, then bring your own ad.
Automation, not generation
The machine does the arithmetic. You do the ad.
Those files are not generated. Every hold came from a measured pause in your own recording, the picture is your own takes, and the words are the ones you wrote. That is the difference between automating an ad and generating one.
Your footage
Every frame in the output is a clip you put there. Nothing is synthesised into an edit, and nothing is filled in because a gap looked awkward.
Your voice, measured
The timing is read off the recording you uploaded, not guessed at. Where there is no recording yet, the screen says the duration is estimated, and says it every time it shows one.
Rules you can check
Never faster than a 1.25 speed ramp. Never cropped out of the middle. Never a caption through the platform's own safe area. If a cut cannot be made honestly it runs short instead.
One exception, and you have to ask for it
There is a generator for when a shot nobody filmed needs a take. It makes a clip and the clip lands in your library like any other upload, where you decide whether to use it. It is off unless we switch it on for your account, it never runs on its own, and it never touches an edit. That is the only place a model appears in this product, and we would rather tell you than let you find out.
Why this is not subtitles
A different language is a different edit.
Slovenian runs longer than English. The hook needs more room, the shot holds longer, the captions lay out again. Change one word and the whole timeline moves under it. On a timeline cut for English, the voice runs past every edit point. Flip the switch.
Same ad, two languages
One time axis. The guides sit at the English cuts.
English · the cut you approved
Slovenian · the same ad
Durations are illustrative. A real cut's holds come out of your own read.
Three steps, then walk away.
Step one
Lay out the beats
Hook, problem, bridge, call to action. Or whatever your script actually does. Beats are columns, in order.
Step two
Stack what you are deciding between
Every clip and every line still in the running goes in the column. Uneven stacks are fine. Eight hooks, one CTA, no problem.
Step three
Render the lot
Every combination of your beats, in every language and every format you ship. The count is on the button before you press it.
Every shape, off one pass.
Vertical, portrait, square and wide come out of the same render. Four formats do not cost four renders. Each shape is framed on its own, and the captions clear the platform's own safe area. Nothing is cropped out of the middle and hoped for.
9:16
4:5
1:1
16:9
The reads decide the voice.
A language with a read is voiced. A language without one runs on captions. You do not set it anywhere. A test market can run on captions. Your home market keeps the voice you paid for.
No read: captions only
No narration. Text on screen carries the script, timed to the beat it belongs to. Reads fine with the sound off, which is how most of it gets watched anyway.
A read: your voice
Upload a voiceover per language. We find the pauses and cut the picture to the read. The edit follows the voice, not the other way round.
A test only means something if one thing changed.
Cut eight hooks by hand and you get eight different pacings, eight different caption rhythms, eight different feels. When the result comes back flat you cannot say what you learned. Here every variant is derived by the same rule from the same approved edit, so the only thing that differs between them is the thing you varied.
What this does not do.
Worth knowing before you sign up, so you can tell quickly whether this is for you.
It does not write your ad
The script is yours. This starts from an ad you have already decided on, and no model gets a say in what it should be.
It does not replace your editor
Someone still designs the hero cut. This buys back the mechanical afternoon that comes after it, once per language, once per format, every time a word changes.
It does not buy media
It ends at a file. It has no opinion about your ad accounts.
It does not translate for you
Bring words someone translated well. This re-edits around them.
It is not a volume tool
Many files is the mechanism, not the point. Files nobody would run are not worth rendering.
It is not for one language
If you ship one market and one hook, an editor is the right tool and cheaper.
Start with an ad you have already run.
Lay out its beats, add the language you have been putting off, and see what comes back.
See it on your own ad